classical garden, vista

The garden at Wethersfield in springtime with the Taconic Range in the background

John Muir, the famous naturalist, once said, “Into the forest I go, to lose my mind and find my soul.” Philanthropist Chauncey D. Stillman could have said the same about a swath of Hudson Valley he fell in love with during a ride in the storied Millbrook Hunt. In 1937, Stillman, whose grandfather founded the bank that would become Citigroup, purchased two adjacent farms, giving him 1,000 acres with sweeping views of the Berkshires, Catskills, and Taconic Mountains. He named the property Wethersfield in honor of the Connecticut town where his ancestors had arrived in 1705.

tempietto set against a blue sky at Wethersfield

The tempietto at the belvedere

For the next 50 years, Stillman oversaw the evolution of the estate. He built a handsome Georgian home to house an extensive art collection, but his main focus was on the land. The 10 acres surrounding the home became beautiful formal gardens in the Italian Classical style of the 17th century (a novelty for that time, when few gardens were embracing the tenets of classicism).

Landscape designer Bryan Lynch began the design, but in 1947, Evelyn Poehler came on board and remained Stillman’s collaborator for the next 25 years. In the classical tradition, the gardens are oriented on a strong axis stemming from the house and moving north, south, east, and west. Yews clipped in cones and balls mimic the rolling hills; reflective ponds mirror the sky; an allée of towering arborvitae anchors and allures; and charming statuary heightens the meditative experience.

reflecting pool, vista

The elliptical reflecting pool

The rest of the property became dedicated farmland and what Stillman referred to as The Wilderness, a wooded area with 20 miles of riding trails. While his life had many of the trappings of extreme wealth, Stillman was passionate about conservation and showed a surprising streak of thriftiness in his approach at Wethersfield. Before many had heard of the concepts, he was embracing crop rotation, contour strip cropping, biodynamic farming, reforestation, and innovative drainage.

flower garden, garden path, Wethersfield

A misty morning in the cutting garden

“He was also a conservationist when it came to materials,” says Toshi Yano, head of horticulture at Wethersfield. “The bluestone here is recycled from New York City bluestone sidewalks. Whenever Mr. Stillman saw a sidewalk or street being torn up, he would call for a truck.”

For all its grandeur, Wethersfield has an element of humble restraint. Though the home Stillman built is handsome and comfortable, it is by no means a Newport-sized mansion. “The gardens here are human-sized as well,” says Yano. “It doesn’t feel like Versailles. It’s intimately scaled. It’s a garden you want to be in with just one other person or even by yourself. There are hedges, tunnels, and enclosures that make you feel like you’re in a child’s storybook exploring a secret garden.”

classical garden statuary at Wethersfield

From left: A fountain features Cupid astride a dolphin in an elegant niche in the East Garden. Two flautists entice visitors through an arborvitae arch.

During the Covid-19 pandemic last summer, the staff waived the admission fee, opening the garden to the public. “It was really special for a lot of people,” says Yano. “We probably saw our attendance triple. Nature has been such a balm for people who’ve been stuck inside. These gardens have been a balm for me personally, just as they were a spiritual balm for Mr. Stillman.”

The gardens and trails at Wethersfield are currently closed for the season and will open June 4. wethersfield.org

More Scenes from the Garden

“There are hedges, tunnels, and enclosures that make you feel like you’re in a child’s storybook exploring a secret garden.” —Toshi Yano, Wethersfield Head of Horticulture

flower garden, Wethersfield

Lupines and columbines edge the Citrus Lawn overlooking the Pine Terrace.

A stone horse statue beside a hedge lined path at Wethersfield

Obelisks, urns, and statuary grace the entries of each room in the garden.

brick two-story structure at Wethersfield with a hedged garden tucked into the L of the structure

White petunias in urns designed by late-19th-century architect Stanford White accent the radial steps in the Inner Garden. Photo by Steve Freihon

flower bed at Wethersfield with a large pink-flowering bush in the background

Allium blooms add height to a spring flower bed.

By Kirk Reed Forrester  |  Photography by Toshi Yano

This story appears in the Scene column of Flower magazine’s Jan/Feb 2021 issue. Subscribe to the magazine or sign up for our free e-newsletter.

Flower magazine cover for January Febrary 2021

On the Cover, Jan/Feb 2021: Blue accents, including a vinyl wallpaper and a light-reflecting ceiling, bring color to the kitchen in an “estate condition” New York apartment designed by Phillip Thomas. Photographed by Michael Mundy.