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James Farmer Designs North Toward Home

A redesigned weekend retreat for a young family in Connecticut nods to the owner’s Southern roots
stone 2-story home with copper-roof bay window and large attached 1-story sunroom with a patio on the roof.

Photo by Jeff Herr

Built in the early 20th century, the house overlooks a nature preserve.

James Farmer proudly wears his born-and-bred Southernness on his sleeve. If you happen to miss the more nuanced signs—perhaps a crisply embroidered monogram on the plaid or gingham shirt that has become his sartorial signature—you’ll immediately detect it in his affable Perry, Georgia, drawl and see it in the sure hand with which he decorates. Consider him a young man with an old soul, one who embraces brown furniture, antique rose medallion porcelain, and classic chintz as enthusiastically as a gracious host welcomes in guests with a pitcher of sweet tea and a platter (blue-and-white, of course) of homemade cheese straws. It may seem surprising, then, that as James pulled in the driveway of a rambling stone-and-wood house in Litchfield County, Connecticut, for a meeting with prospective clients, he felt like he was arriving home.

Entryway of Connecticut home with console table, pair of green shaded lamps flanking Chinoiserie mirror.

Photo by Jeff Herr

James brought the verdant views indoors with garden and floral motifs, including a Schumacher wallpaper of hydrangeas that climb the walls of the entry.

Built-in bookcase backed with marbleized wallpaper by Twigs

Photo by Jeff Herr

A marbleized wallpaper by Twigs backs the built-in bookcase.

“The terrain reminded me of Cashiers, North Carolina, where I have a vacation house, and it’s probably the first place outside the South where I’ve thought, Hold up, I could live here,” he says. Sited to take advantage of views of a mountain in front and a nature preserve in back, “The architecture of the house was strong but not demanding, and would give us a great canvas to paint a beautiful picture,” he adds. Inside, he found kindred spirits in the owners, a New York couple with three young children who were looking to create a weekend getaway with the sophistication and livability of a primary residence, and also one that reminded them of the wife’s North Carolina roots.

a study wrapped in natural pine walls

Photo by Jeff Herr

James melded masculine and feminine design elements, knowing the wife would also spend time here. Tomato-red leather upholstery from LEE Industries mingles with hand-painted chi-noiserie tables and a camellia fabric by Carleton V. James found the rug when he spotted a sign for an estate sale while passing through Savannah. “I’ll always brake for antiques,” he says.

“The only directive she gave me was, ‘My husband is French, and his family owns several international residences, but his favorite house is my mother’s in Winston-Salem. That’s the feeling we want,’ ” recalls James. “The husband explained that he loved objects in his mother-in-law’s home such as family photos in silver picture frames on her piano, and one-of-a-kind lamps made from antique vases—basically the layers and details that give a house personality and evoke memories. I looked at them and said, ‘I can give you that all day long.’ I strive to make every house I decorate feel like it was inherited versus purchased.”

dining room designed by James Farmer

Photo by Jeff Herr

In the dining room, James played with formality by mixing woods and styles of chairs and using a billiards-style light fixture rather than a chandelier.

The owners brought a few cherished family furnishings to the table, among them an Oushak rug from the husband’s side that would become the foundation and color inspiration for the living room scheme, and a breakfast table and chairs from the wife’s childhood home that ultimately nestled into the kitchen bay. Although the large house quickly absorbed the pieces that had been genuinely inherited, that proved no obstacle for a designer who considers antiquing both a sport and the optimal way to create a sense of history and patina. “Some Southern men get up early in the morning to hunt; my idea of hunting is to hit Scott Market in Atlanta or any back-roads antiques shop or estate sale,” he says.

living room designed by James Farmer with grasscloth walls and fireplace.

Photo by Jeff Herr

“I love the depth grass cloth creates, plus it’s forgiving when you’re hanging a hundred plates or paintings and have to move one or two,” James says.

His search for furnishings, fabrics, and accessories took him from Palm Beach, Florida, to Connecticut and points in between, but there was always a method to the madness, he says. An oil painting of the Venetian harbor hanging over the living room mantel speaks to the husband’s family business in shipping. A set of Victorian-style wicker barstools in the kitchen may be new but “look like ones your eccentric aunt from Grey Gardens left you in the will, painted white to make them current,” James continues.

muted green kitchen designed by James Farmer

Photo by Jeff Herr from ARRIVING HOME by James Farmer (Gibbs Smith, 2020). See more from this home in FLOWER’s feature story.

He chose an unexpected floral fabric for the gentleman’s study because the Connecticut climate makes growing actual camellias too challenging, but they serve as cheerful reminders of North Carolina. A coromandel screen found on St. Simons Island, Georgia, depicts everyday scenes such as a Chinese villager playing with a kitten, balancing formality with levity in a way that seemed particularly appropriate. Conscious that the couple’s children would have full run of the house, the designer knew to avoid any velvet ropes of the metaphorical sort, “though we would have a velvet sofa or two,” he says, with a laugh.

living room designed by James Farmer

Photo by Jeff Herr

A coromandel screen commands attention in the living room. James used grass cloth here and in the dining room. “I love the depth it creates, plus it’s forgiving when you’re hanging a hundred plates or paintings and have to move one or two,” he says.

master bedroom designed by James Farmer

Photo by Jeff Herr

“The wife told me she had never had a ‘big girl’s bedroom,’ ” says James, “so I knew it was important to give the couple a serene and sophisticated one.” The designer enveloped the room with Colefax and Fowler’s ‘Snow Tree’ wallpaper and added accents of an Osborne & Little animal print.

In James’s recently published book, Arriving Home (his ninth, and in which this project appears), he writes, “As Southerners, our style does not warrant an apology for blending the old with the new, the common with the fine or the familial with the found … after all, that’s the way mama did it too.” A sentiment and sensibility that transcends time and place and that one hopes will carry on in this family for generations.

SOURCES

INTERIOR DESIGN

ENTRY

LIVING ROOM

DINING ROOM

KITCHEN

POWDER ROOM

STUDY

MASTER BEDROOM

By Karen Carroll  | Photography by Jeff Herr | Interior design by James Farmer

Signed copies of Arriving Home: A Gracious Southern Welcome by James Farmer (Gibbs Smith, 2020) are available at jamesfarmer.com. This story originally appeared in the Sept-Oct 2020 issue of Flower magazine. Subscribe to the magazine or sign up for our free e-newsletter.

book cover for Arriving Home by James Farmer
magazine cover

This story appeared in FLOWER magazine's Sept-Oct 2020 issue.

A soothing green and aqua palette in a master bedroom sitting area.

Photo by Jeff Herr

The soothing green and aqua palette continues in the master bedroom sitting area.

An antique secretary serves as a spot for catching up on correspondence.

Photo by Jeff Herr

An antique secretary serves as a spot for catching up on correspondence.

In this powder room, a Thomas Strahan wallpaper aptly named Farmer adds a touch of whimsy.

Photo by Jeff Herr

In the powder room, a Thomas Strahan wallpaper aptly named Farmer adds a touch of whimsy.

plate wall hanging in a kitchen by James Farmer

Photo by Jeff Herr

In the kitchen, a trellis wallpaper by Anna French complements a Sanderson pattern of greenhouses, vegetables, and beehives.

Two plaid wing chairs flank a tufted red leather oval ottoman and a fireplace in a pine-walled study designed by James Farmer

Photo by Jeff Herr

The designer, who often teases that plaid is his favorite color, selected a Colefax and Fowler version for the husband’s study.

SOURCES

 

INTERIOR DESIGN

ENTRY

LIVING ROOM

DINING ROOM

KITCHEN

POWDER ROOM

STUDY

MASTER BEDROOM

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By Karen Carroll  | Photography by Jeff Herr | Interior design by James Farmer

Copies of Arriving Home: A Gracious Southern Welcome by James Farmer (Gibbs Smith, 2020) are available at jamesfarmer.com. This story originally appeared in the Sept-Oct 2020 issue of Flower magazine.

Subscribe to the magazine or sign up for our free e-newsletter.

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